Film Review: Oddity (2024)

The power of Oddity as a very fresh and atypical horror is seen literally in the first five minutes of the film. That is the moment in the film when a brilliant and chilling conversation takes place between a woman, locked in an old Irish mansion, and a stranger on the other side of the door. In that short but impactful vignette, the film and its director Damian Mc Carthy showcase just how well they manage tension, expectation, and the bleak visual environment where both take place. In that space, we as a viewer cannot help but look for danger and threats in every dark doorway or dimly lit corner.

The same skill set propels Oddity to the very top of modern horror, especially when keeping in mind that it is coming from a European indie production. But, through the smart use of simple props and excellent storytelling, Oddity compensates for any lack of production values. Instead, it proves a deeply disturbing tale that is still very plausible and ultimately a very down-to-earth matter. Similarly to Late Night with the Devil, the film’s premise begins in an outlandish manner but becomes more and more personal and thus possible as time goes by.

With that strong and grounded setup, the tale of a blind woman and a medium, going on the quest to find out who really murdered her twin sister becomes something extraordinary. The acting cast understood that as well, which is why Carolyn Bracken and Caroline Menton do a great job, followed closely by Tadhg Murphy, Steve Wall, and Gwilym Lee. All of them attain amazing results without any apparent extraordinary effort. In a similar way, Oddity effortlessly shows that horror films are at the cutting edge of the present independent film industry.