Things truly have changed in the housemaid industry, as Merry Poppins would likely notice after watching The Housemaid. Back in the good old 19th century, there would have been a much smaller chance of the lord of the manor meeting their young, attractive maid watching TV in his man cave. But this is just one of the situations that takes place in this thriller. Like almost anything where Sidney Sweeney appears, her body is a big element of this film, further building on this myth that anything alive right now has to find her simply irresistible or repulsive.
In this case, Sweeney brings her universe-spanning sex appeal to a wealthy family where she, having a troubled past, arrives as a live-in housemaid. Immediately, the setup of "everyone has countless secrets and then some" starts playing out, along with Sweeney's dress-up and show-off process. But, even though the film at moments feels like some low-key comedy and in the next moment something like a misdirected soap, it's still entertaining. There's a lot of inspiration in it, including things like Misery and even a hint of subtle social criticism and a hands-on type of feminism. All of that is happening along with abundant Sidneyploitation.
In many ways, The Housemaid is like Sweeney herself. You might have different takes about her looks, acting abilities, talent, and even possible political alignment. But, chances are that despite those opinions, you're still looking to see what will happen next. This film, too, takes us on a journey, and if you accept its offer, you'll also, in all likelihood, stick out until the end.
Movies, Films, and Movies
Watching movies and writing about them.
Thursday, July 9, 2026
Film Review: The Housemaid (2025)
Tuesday, June 2, 2026
Film Review: Mickey 17 (2025)
When Parasite came out in 2019, I wasn't as impressed as I was with Memories of Murder, a film that blew me away nearly two decades ago. But it did show that the voice of Bong Joon Ho is an evolving artistic presence and, strangely enough, that his time in the global limelight is only starting out in earnest.
When great directors suddenly get massive budgets, the same money is often tied to a gentle chokehold of producers and studio executives. For Bong Joon Ho and his sci-fi satirical comedy, that chokehold was not an option. Instead of making something dumbed down, he made probably one of the better films of this type in many years. On some levels, this film, showcasing the life of a constantly dying and reprinted indentured worker, Mickey on a colonising mission, rivals Terry Gilliam's Brazil. It also shares many of the key points that it explores, but here, the exposition is about mass media spectacle as it is about inalienable human rights.
It's wonderful to see that Bong Joon Ho commanded such a massive budget and a cast including Robert Pattinson, Toni Collette, and a fantastic Mark Ruffalo, but still remained so very much his own man. Mickey 17 is resonant, touching, bizarre, grotesque, and funny, all at the same time. There's a massive lesson there for the likes of Denis Villeneuve and Christopher Nolan. In other words, your talent and vision are important, but only if you are able to stick with them even when the stakes are very high. If not, you get to direct the new James Bond film or make the 100th version of Homer's Odysseus. I’m not seeing Bong Joon Ho move in any of those directions anytime soon.
Friday, May 29, 2026
Hey Chris TV Series - Balancing Family, Ambition, and Faith
Every life is always an endless stream of good moments, bad moments, and everything in between. Finding both the drama and the humor in those moments is often where great art is found, and the same applies to Hey Chris, a TV series available exclusively on Tubi. Its story focuses on Chris Kingston, a man devoted to his family. Chris is also very ambitious and a man of faith, who is constantly working to find the right balance in his life. But destiny is also ever-ready to throw some unexpected twists and turns, which the entire Kingston family has to resolve and overcome.
As a family comedy-drama, this series is all about the will and determination needed to keep a household together and resolve anything life has in store. It also deals with the realities of a regular family working, living, and loving in the modern United States. This makes it particularly impactful as it tells the tale of ordinary people meeting everyday problems, just as the same thing happens to countless others this very day across the US. The same allows for both the drama and the humor of the experiences of Chris and his loved ones to be even more relevant and impactful.Saturday, May 16, 2026
Counterfeit Kids - Crime Drama Diving Deep into Emotional Realism
Set in 1980s Baltimore, Counterfeit Kids stars seemingly ordinary people. As a directorial debut of Screenwriter James Sclafani, it seeks to explore the characters and situations that are not overtly dramatic, but carry the hardship and difficulties that can be easily recognized in any context or time period or place. By doing this, it offers a slow-burning crime drama that is not only about real emotions and different mind states, but also characters who, because of that, seem all too real.
This film is not a massive crime spectacle, and most definitely isn’t something that romanticizes the necessity and the drive to commit these illegal deeds. Instead, Sclafani draws on his previous experience to build a small but believable world of two young people who desire to change their lives no matter the cost. Instead of resigning to their cruel and unfair fate, both Nic and Jude are determined to change their fortunes, however possible. A story like that has an inherent, timeless power and with it, all-encompassing ability to connect to the audience.
If this sounds like something you’d be interested in experiencing, Counterfeit Kids will screen at the New Jersey International Film Festival on Saturday, May 30, 2026, at 7:00 PM. The screening will take place at Rutgers University’s Voorhees Hall in New Brunswick, New Jersey. Tickets, as well as all relevant festival information are available here.
Friday, May 15, 2026
STAR WARS: Fruut & Hari [feline fan series] - #1 "Order 66" - A Must-Watch for All Star Wars Fans!
The realm of fan-made movies is built through a long and proud tradition reaching back decades. The same creative space even produced a handful of films that were close to rivaling its source material, like it's the case with The Hunt For Gollum from 2009, which turned into a true masterpiece. Now, there's a new contender for the fanflick crown, but the focus is on a different fictional universe. This time around, that universe is Star Wars, but one inhabited by, among others, Jedi... cats! The name of this creation is STAR WARS: Fruut & Hari, and it first episode is simply called "Order 66". You can watch the entire creation right here!
However, the thing that really impressed me is the fact that the series is so masterfully executed. Sure, the VFXs and visuals are very low-fi, but the script, editing, and acting are anything but amateurish. From the first moment, the series initial episode sets the stage by going for maximum drama, which is faithfully following the overall Star Wars approach. Right after that, both the action and drama kick in, with space battles, crash landings, and speeder chases. The fact that all of that was made by a single creator and his cat is mind-blowing.
If you're a fan of cats, Star Wars, or possibly both, this is a must-watch for sure. The level of artistry, cinematic craft, humor, and overall love for all things Star Wars make Fruut & Hari a potential new instant hit in the fanfic world and for all good reasons. Subscribe to the same YouTube channel and see where these mesmerizing characters take you in subsequent episodes in a galaxy far, far away!
Wednesday, May 6, 2026
Film Review: The Long Walk (2025)
There's some truly deep cinematic magic in the way Francis Lawrence can make things ordinarily extraordinary. His first film, Constantine, did this quite literally, but his latest, another adaptation of a great literary work, returns to this topic. This time he does it from a completely different angle that is anything but magical. In the alternate contemporary world of Stephen King, a group of teenage boys begins a challenge where they need to walk continuously, getting shot by their military escort if they slow down, until only one remains.
This stripped-down version of so many Battle Royale tales is here much more visceral. King's novel is a minimalist masterpiece of absolute doom and this sense of being stuck in a hell of one's own choosing. The film fatefully adapts this notion into a film that keeps going, even though its cast struggles to fill the worn, bloody shows of the much more impactful individuals from the book. Lawrence solves the problem of limited time and exposure by focusing on the constant movement of both characters and the plot.
With that, The Long Walk is a film that probably broke the record of lines being said by actors in motion and with it, made a disturbing work of art about grim perseverance. That perseverance doesn’t let up even when it fails to make anything or anyone anything but dead. But, that's ultimately also the story of life itself, isn't it?






