Copyright: Warner Bros. Pictures |
Dolls are creepy and Annabelle: Creation is weirdly a film about a creepy doll that (very commendably) doesn’t use the same object too much. This was a great move by its director, who fought off the impulse to make the doll front and center, which would do the story no favors. Instead, the film switches its focus between the girls of a Christian orphanage who get to travel to the middle of nowhere with their guardian nun and start living in the home of a good Samaritan dollmaker and his wife.
As the horror action begins to unravel, the director follows a single girl on her quest of moving from a victim to the main monster, switching perspectives smoothly and effortlessly. At the same time, frights are abundant and striking, but they also lead to a somewhat ineffective finish. While the ending and the last third are not bad, they do feel like a missed opportunity to score some bigger and more dramatic horror points. In this regard, Annabelle: Creation works much like its previous part, ending up a decent modern horror but still feeling very forgettable.
As the horror action begins to unravel, the director follows a single girl on her quest of moving from a victim to the main monster, switching perspectives smoothly and effortlessly. At the same time, frights are abundant and striking, but they also lead to a somewhat ineffective finish. While the ending and the last third are not bad, they do feel like a missed opportunity to score some bigger and more dramatic horror points. In this regard, Annabelle: Creation works much like its previous part, ending up a decent modern horror but still feeling very forgettable.