Film Review: The Crow (2024)

It's hard to deny that the new rendition of the The Crow murder & revenge story is not stylish. The tattoos, the dark lights, the janky spaces - all of it fits into The Crow's neo-gothic iconography. However, in the clash of style versus substance, director Rupert Sanders found very little substance. Because of that, the result is a bland retelling of the film that back in 1994 had so many macabre vibes going for it, even though a bit of that came from the tragedy of Brandon Lee's death.

In the 2024 version, yes, there is a lot of fictional, violent death as well and loads of goth visuals too (not on the level of the brilliant Nosferatu, but still sufficient). But, the chemistry that should either bind characters in eternal love or place them on a path of bloody vengeance is missing. Bill Skarsgård does well as the torn Eric but fails to get it on with FKA twigs. Danny Huston is always interesting to watch, but as the main antagonist, he simply fails to make his character have the kinetic force of evil that is needed here.

Sanders is by no means an inexperienced director, but with The Crow, so much stuff simply falls through the metal mesh floor that should have been the film's foundation. I'm certain that the same foundation in this case has to be the characters, but there's just too much room between all of them, allowing for so much void space. The same sense of pretty emptiness is what the film ends up providing to its viewers.

Hi How Are You? (2023) - Meditative Journey into the Heart of Love

Having a feature-length movie recorded on nothing but iPhones and doing so primarily in selfie mode might sound like a strange idea. However, the movie Hi How Are You shows that ultimately, like ever, the substance overcomes the format. In this romantic drama with a strong undercurrent of science fiction, two souls reconnect with each other when a hangover Lou, who is in Paris, decides to call Mani, a rock star from Iran who's in New York. At the same time, a celestial body called MX6292 apparently sets itself on a collision course with the Earth. 

Through conversations ranging from video calls between friends to amateur scientists calling into news channels, the unusual video format works well. The film includes many characters that slowly revolve around Lou and Mani, while at the same time, something much larger is taking place in the endless void above. Interestingly, the film also uses plenty of VFX and superimposed elements in its shots, like billboards and other details in external locations, which all work surprisingly harmoniously with each other.

The film was written and directed by Clemy Clarke, who is a French filmmaker living in Los Angeles. Clarke brought an interesting blend of sensibilities to the film, showing something hard to pinpoint geographically, both literally and metaphorically. However, the film's overall ambiance and sensitivity to a changing, interconnected world, which can still feel so lonely, is incredibly poignant.

Through many languages, covering English, French, and Farsi, Hi How Are You? tells a very natural story of relationships that forever change and evolve, but which still yearn for that essential connection and the love that lies behind it all. Because of that, the element of the mysterious celestial body works so well on focusing the otherwise very loosely threaded story. The film's tragic and powerful culmination, which is fully steeped in music, is, in the end, all about that human connection.

In a very shrewd manner, Clarke bridges so many of these surface ideas of what it is to be alive in this strange and modern world of ours. She then funnels them all towards the core of the film - which is a love story, told from such a strong, universally human, perspective. In the end, the tale of this touching film shows us that it really is all about - love.

Watch Hi How Are You? on Amazon Prime today!

Film Review: Nosferatu (2024)

The wholehearted dedication that director Robert Eggers provided to gothic horror during the making of Nosferatu is mind-blowing. This director, who has so far been somewhat of a mixed bag for me - The Lighthouse, for example, was a thoroughly unenjoyable experience - went above and beyond to do justice to its source material. In this case, this is not the Bram Stoker novel, but its unauthorized German adaptation from 1922, called Nosferatu.

The film, today iconic for its visuals but unknown to many, did slight adjustments to the story of Count Dracula and Eggers decided to focus on that rendition completely. Besides that, he also stayed true to the dramatic and often tragic concepts of gothic horror and romanticism in general, providing a script that must have been read in a very odd and offbeat way. Finally, Eggers managed to mix into that a lot of pan-Slavic, pagan-rooted notions and rituals, focusing on Eastern Romania and the region of Transylvania. For the making of the film, this brilliant director even found inspiration in art like the Yugoslav TV movie The She-Butterfly, an obscure work of Balkan filmmaking.

The cast fully embraced this brilliant script. Bill Skarsgård, Lily-Rose Depp, and Nicholas Hoult are top-notch in their lead roles, while Willem Dafoe is simply mesmerizing in every scene he appears as the wise and learned Albin Eberhart von Franz (Van Helsing, in the original tale). Throughout the film, breathtaking cinematography follows the storyline to the heartbeat, even with its drastic changes in scenery and settings, covering castles from high mountains, strange ships on high seas, and beautiful salons from high German society. Even the ending, which will disappoint many who are looking for regular vampire horror tropes, is a tiny masterpiece in its own right.

Many stated for some time that Robert Eggers is one of the leading film directors of his generation. I can honestly say that I didn’t fully see things the same way for a long time, despite many hints and glimmers of that greatness. Then, I watched Nosferatu and so should you.