Wednesday, May 22, 2019

Indie Showcase: Art of Love (2019)

Art and love might seem like a natural pairing in numerous situations. After all, ever since the days of the ancient past, art did explore in so many shapes and forms the concept of love. Yet, while so many works of art try to approach the subject from a philosophical, grand, and even emotionally detached perspective, some try to observe love and art in the contemporary setting, through the eyes of regular people who work hard to survive and thrive in an often ruthless and uncaring world. Art of Love is a feature-length indie title that tries to do just this. Here is how the film describes its plot:

Monday, May 20, 2019

Two-Paragraph Review: High Life (2018)

Gentle and brutal, complex and really simple, relatable and completely alien - all of these are the traits that High Life possesses as a work of art. This alone would make it worthwhile for anyone who is seeking to experience something new. Still, besides these characteristics, the movie has many other fantastic points. Among them is Robert Pattinson as the quiet and contemplative Monte, who easily carries the main role of this oddly structured film.

Yet, Pattison, just like the decades-older veteran Juliette Binoche works fantastically with each other, the rest of the cast and the whole vision of the director, Claire Denis. The plot of the film, which sets a crew of death row inmates on a mission to explore a nearby black hole, is just one of the cogs in this truly impressive machine. The entire setup is much larger than a smarter retelling of Interstellar. Instead, it’s a genre-bending concept piece that is wonderful to watch and also a strong chaotic commotion that you more experience emotionally than understand intellectually. I loved it throughout.
 

Tuesday, May 7, 2019

Two-Paragraph Review: Game Night

When you look at it superficially, the concept of Game Night seems immediately worn out. A group of friends getting for a night of games, entering one that was supposed to include actors but ends up including a real crime which they're firstly oblivious about. Sure, it's like Fincher's Game but only in a comic reverse mode. Must be dumb and boring, right?  Well, oddly, it's really good.

In fact, for me, it's one of the best AAA Hollywood comedies I saw in recent years. The duo of John Francis Daley and Jonathan Goldstein made the film with steady hands and a great eye for a serving of black humor jokes. I was impressed by its sharpness and even more, by the willingness to take the film into some dark and twisted waters - not that deep into them, mind you, but the effort is still appreciated. Lastly, Jesse Plemons is one of the most talented actors of his generation and the movie was lucky to have him - he added a cherry on an already really good cake.

Wednesday, April 24, 2019

Short Film Review: Spilled Paint (2019)

The plot of the Spilled Paint short film begins as an old-school jazz tune - full of beat and with rising tension. In the movie, the audience is quickly introduced to Patrick, a painter, who is very unpleasantly (even though not yet extremely violently) questioned by a crime boss. The painter made a mistake: he borrowed $10,000 from the same criminal and now it is time to pay up.

Of course, he also made an additional mistake which has been ongoing for some time: he is disorganized, unable to focus and on moments, not exactly the sharpest knife in the drawer.

But, he gets a break. The boss will give him a week to get the money. Naturally, with nowhere to turn, the painter realizes his only option is to create a masterpiece of end up very hurt or even worse.

Thursday, April 4, 2019

Two Paragraph Review: Dragged Across Concrete (2018)

I really loved Bone Tomahawk and I didn't like Brawl in Cell Block 99. Now, there is the new film by S. Craig Zahler and this is his biggest undertaking so far. Featuring a cast led by the always good Mel Gibson, Zahler did his own version of the Poliziotteschi genre (don't worry, I never heard about it either). In the movie, the vibe of the entire plot is an almost intangible mesh of personal drama, background political commentary and quick bursts of almost senseless violence.

This is something that on moments works great and sometimes fails completely, especially because of the weird script Zahler wrote. Here, the idea of repeated dialogue lines, like "being smarter by a yard post" and similar stuff reminded me of film school student trying to write like Tarantino. The presence of these dorky and completely unnecessary elements is hard to figure out but they often break the immersion and any weird-but-good magic this director can clearly deal out to its audience. Still, no one could argue that for a neo-noir film Dragged Across Concrete doesn't cover its genre basis pretty well.

Friday, March 15, 2019

Indie Showcase: The Bachelor Party (2018)

When it comes to parodies, the basic principle for successful films in this genre doesn't change over time. Today, like always, the more over the top, the better. This is why The Bachelor Party promises a great ride for anyone who is into these types of comedies. Here is how the film describes itself:

Internationally mega-viral superstar Shawn "The Showstopper" Valentino is "The Most Famous Bachelor in the Galaxy." After his hero Hefner passes away, Shawn faces the most impossible mission of his life: a choice to settle down with 1 of his 5 girlfriends or to continue his playboy lifestyle of decadence and fantasy in this ridiculously over-the-top parody of spy films and romantic reality TV.

Sunday, March 10, 2019

Two-Paragraph Review: A Private War (2018)

I'm not sure if it's really possible to perceive a film like A Private War without having some kind of position towards the conflicts it features. Sure, the film tries to be objective and somehow shift the focus from the wars to the journalists who were brave to traverse them, but it is hard to gauge how successful is it in the same design. This is especially true when it comes to Libya and the war that took place there (and still goes on), now with all that we know in 2019.

Across all of this, A Private War review should, in theory, avoid the choking geopolitical ramifications of the role Western media played in all of that and focus on Rosamund Pike and her great depiction of Marie Colvin. Yet, for me, the focus of the film is not the Colvin’s personal life but the editorial decisions back in London and the how and the why of those moments. In that setup, it is Tom Hollander as Sean Ryan of the Sunday Times who is actually the main character. Sadly, the film offers no answers to the same questions. Marie Colvin might have not been interested in which plane or artillery piece bombed a village, but I can’t help but wonder who sold and shipped those weapons there, as well as those on the other side.

Wednesday, February 27, 2019

Two-Paragraph Review: Roma (2018)

The thing about Roma is that it follows and depicts a particular kind of childhood, which took place in the turbulent years of the 1970s in Mexico. Yet, at the same time - and this is the thing that makes it so relatable - it is also about everyone’s childhood and their slight absentness from it. In the film, the children and the family that are experiencing the whole snapshot of this part of their lives is only one side of the story.

The second one, in some ways the major tale, is that of the maid working in the same home. Her life is separate from the family but at the same time, it is also fused with their stories as well as a kind of living but an ever-present prop. In spite of this, the family is mostly barely aware of her, as if she is the same complex and undefinable emotional development through which they became adults. She, like the same process, might be forgotten later on, but Roma shows that its actual influence is both unmistakable and irrevocable.

Monday, February 11, 2019

Two-Paragraph Review: Overlord (2018)

Overlord is a great movie and there should be no doubt about that - it’s one of my biggest positive surprises in this hybrid horror genre since Bone Tomahawk. Its director, Julius Avery, does a precise and very technical, but at the same time bold and unexpected slalom run through horror, war movie, and splatter adventure comedy genres. In the film, there are parts that are in equal measure worthy of Saving Private Ryan, Inglourious Basterds, and The Dirty Dozen.

At the same time, Avery managed to make a really good movie without the use of practically any big actress or actor. Regardless, through the use of plenty of German and French being mixed up with the English language, its cast pulls off an engaging movie. The plot tells the story of a small band of survivor paratroopers on a mission to blow up a Nazi installation on D-Day - there, however, they find things much more dangerous than a radio jamming facility.  In the hell ride that comes after this discovery, the actors and Avery do much more and present it as a great and very gory adventure. You don’t want to miss out on this gem of a film, especially if you find war films and those from the WW2 era at list slightly interesting.

Sunday, January 27, 2019

Short Film Review: Hang Up! (2018)

Watching Hang Up! is like unintentionally allowing a sense of sheer darkness to envelop you. The story of the film is concealing simple - Gary, a middle-aged man accidentally drops into the phone conversation that his wife Emelia is having with another person.

He tries to get her attention but fails, but before he can hang up, his entire day, week, month, year and even life change forever.

The movie is focused on the barest and most minimal cinematographic elements. Most of the 13-minute run time is simply the narration of the man’s wife and the other person on the line, followed by the silent’s husband’s reaction and shots of his office. Yet, saying that this mixture becomes a combustible material in the mind of the viewer is an understatement.

Monday, January 21, 2019

Documentary Review: Minding the Gap (2018)

Copyright: Hulu
Growing up might be hard, but skating towards adulthood seems to be even harder in Minding the Gap. This documentary came about through 12 years of footage of the kids who lived and breathed skating in their hometown of Rockford, Illinois which was even then considered one of the prime Rust Belt locations.

Driven by dysfunctional families where violence was an apparent norm parent-children relationship, three friends try to find an emotional valve, a meaning of life and a chance for a better future in each other and their wheeled boards.

Bing Liu, the director of this fascinating documentary, managed to take the notion of a skate video and blew it up out of proportion in the best possible way. The movie opens like any film shot on a skateboard that follows people riding their own.

Monday, January 7, 2019

Two-Paragraph Review: Bird Box (2018)

There’s one thing you need to know about Bird Box and my review has to start by focusing on it: it’s fun to watch and engaging as a well-crafted horror at its most basic cinematic level. However, saying that, I also have to underline that the movie is not by any means an above-average post-apocalyptic film. In fact, it includes many things that make it something of a high-budget B-movie with cheesy dialogue and senseless characters. This is seen in the film's dorky humor and unnecessary exchanges between the characters that occur when the apocalypse starts - the event represents the appearance of invisible creatures whose sight makes the same person immediately commit suicide (unless you’re a homicidal psychopath, then you’re just employed as interns by the same demons/aliens/something else).

The flashback moments are in contrast with those segments where the plot takes place in the present time, where Sandra Bullock's Malorie tries to save herself and her two kids - here, Bird Box resembles the much better A Quiet Place in many ways, working as almost an homage. But, the flashbacks to the start of the event are worthy of the worst moments the worst films that M. Night Shyamalan created, including stupefying and forced drama, there to complement one-liners straight from scriptwriting hell. However, ultimately, the film is still enjoyable as a horror survival and there’s no way to deny this.