Two Paragraph Review: Mute (2018)

It's hard to tell for sure where Mute was trying to go and what was its director, the brilliant Duncan Jones, trying to do. As a cyberpunk tale set in the undefined period in, I guess, the future, it has all the hallmarks of a noir story. The movie showcases a mute main character that gets his love taking from him, a group of odd persons from the margins of society as supporting characters and some weird new pieces of tech everyone is using.

The result is something that is an unholy mix of Strange Days and Southland Tales, but which features all of the failed quirkiness of the later film. It might sound strange, but Mute is a movie that is somehow completely devoid of charm and it kind of needs it. In fact, it needs it bad, like many science fiction films that are high concept pieces. This one is a film like that, but it has a lot of charm. Jones maybe did not intend this, but the movie is still a high concept (at least parts of it try to be one). This is why watching the film, at least for me, seems like a waster experience from start to end.

Indie Showcase: AnyBodies Game (2018)

A new indie feature-length film is on its way in less than two months and it promises to bring a mixture of drama, action and suspense thrills. The name of the movie is AnyBodies Game and here is how it describes itself:

While a group of friends are enjoying life they mysteriously began to receive bloody letters and prank phone calls. They all began to take the threats serious after the death of one of their own friends. Who could do such a thing when the finger is pointing at all of them? This could be AnyBodies Game.

The trailer shows an ambitions piece written and produced by Ann P Productions. It holds plenty of characters and a plot that seems to be constantly going through twist and turns.

With a strong element of mystery, AnyBodies Game appears to tackle the horror thorpe of a group of friends being hunted by an unknown assailant. The first thing that comes to mind with this setup in the series Scream, but with a setup that is taken into the modern time and complemented with a natural approach to acting.

The movie is set to have its theatre premier on July 5th, 2018. For more information about this event and the movie, check out the AnyBodies Game official website.

Actionflix.com – An Upcoming Streaming Service Specializing in Action Movies!

For me, action movies are the bread and butter of filmmaking. They, along with thriller and drama, are the essential genres and a perfect place where up-and-coming filmmakers learn the trade and get a foothold in the big-time movie business. However, unlike the other two genres, action often ends up being a butt of the joke and many people tend to see it, in general, as mindless fun which rarely comes with any deeper meaning. I disagree with all of them and that’s why I’m happy to see initiatives like the recent Actionflix.com. Here is how the upcoming streaming service describes itself:

Actionflix.com will be a Global Streaming Broadcaster specializing in independent Action Movies and Subgenres made by creative filmmakers around the globe. Global Streaming means that ACTIONFLIX movies can be watched in all territories around the world, on any platform (iPhone, laptops, tablets, Apple TV, Xbox, etc.). The filmmakers will not only share movies but most importantly, also share stories about the making of these productions. We’re creating a community where audiences and filmmakers come together around their common love for this genre.

Film Review: Cold November (2017)

Growing up is never easy and sometimes, it can take us on unique journeys, both outside and inside. Cold November is a movie that explores this notion and does it remarkably well through a seemingly simple setup. The film follows Florence, a 12-year-old living and growing up in a rural part of the US. Interestingly, her family has followed a tradition of the women going to a deer hunt as a sort of rite of passage for entering into adulthood.

Florence is near that point, so she and her mother, grandmother and cousins decide to follow the same tradition. Yet, this process will not come easy for Florence or her loved ones in a tale of nostalgia, change and our ever-inadequate abilities to deal with it, no matter if we are kids, adults or something in-between.

Two Paragraph Review: Blade Runner 2049 (2017)

The original Blade Runner movie is one of my favourite cinematic works of art. Ever since I was a teenager I really enjoyed Ridley Scott vision over distance and cold future. At the same time, Denis Villeneuve is one of my favorites new directors, especially when it comes o science fiction. Two years ago I was completely blown away with The Arrival, so naturally my expectations were high for Blade Runner 2049. Now, after seeing it, I have a hard time putting my finger on it.

The movie is visually stunning and it provides an engaging experience in that sense. However at the same time narratively, it's slightly all over the place. While it's easy to connect with Joe, who is basically trying to figure out what’s happening (like the audience) the rest of the characters fall flat. These include Decker who is who is played by an ever older and less interesting Harrison Ford. All of them are distant but what is worse, they end up feeling irrelevant. The same is true for the plot, which simply does not hold up to the immense visual grandeur of the movie. Maybe Blade Runner 2049 will age better just like the original, but for now, the two are not on the same playing field.

Indie Showcase: My Tiny Universe (2004)

As a rule of thumb, movies are not that good of a way to predict the future. If they were, we would be at least having one or two flying car companies instead of another social media app that just came out. However, sometimes, away from the spotlight of the big prediction and blockbuster visions of the future, some movies do nail the future in an eerie fashion. My Tiny Universe, which was made almost 15 years ago, seems to be one of those films. Here is it’s plot:

Dickie Bates is a washed-up actor. Bobby Devillin is a sleazy A-list producer. Luring Devillin to his home, Dickie pushes the big-shot's weak-points by toying with the one thing that matters to him - his cell phone. The actor's small home is soon filled with an irrepressible crowd of characters in this fast-paced satire of life in Tinseltown.