Movies like The Gorge often cannot escape similarities with one or more episodes of The Twilight Zone. In this case, the similarities are noticeable almost immediately when two distinctly different individuals - both of whom are professional snipers - get a job protecting a mysterious gorge on its opposing sides. Inside are incomprehensible horrors, but outside are many oddities and unknowns as well.
From that hook, the film's director Scott Derrickson, who recently made The Black Phone, does a Super-G-level of slalom, flipping through genres in no time at all. From a thriller to a drama, then to a romance, and finally to a horror science fiction, The Gorge covers broader genre setups than an average movie theatre does over a weekend. Here, the film would often be too loose and disconnected, if not for Anya Taylor-Joy. For the most part, she carries the film on her slender back, providing a character that is constantly evolving and growing, but does so without stealing the spotlight. The same makes The Gorge overall a fun experience, even when the premise and the plot struggle to keep the audience engaged and interested in what, ultimately, hides the weird fog of the gorge.
