Film Review: 10 Cloverfield Lane (2016)

Copyright: Paramount Pictures

I can only describe a film like 10 Cloverfield Lane as a classy thriller horror. I say classy because it does provide a certain level of style and commitment that elevates it above what most other three-man movies with a story vaguely similar to this one.

As a spiritual successor of Cloverfield which has nothing to do with the previous film aside from the idea that regular people are placed into unexpected, enormous and outwardly danger, the film comes with the burden or recognition and expectations. But, in spite of this, the “sequel” works pretty well in its narrow (literally and figuratively) playing field. Of course, the original Cloverfield did not have John Goodman, an actor who can make all the difference for a movie.

Film Review: Warcraft (2016)

Copyright: Universal Pictures

Great young directors will often be provided with a chance to enter the realm of huge Hollywood blockbusters and showcase their ability to tackle projects on this scale. Duncan Jones, whose talent after films like Moon is indisputable, got his break with the first feature-length movie adaptation of the Warcraft video game franchise.

Jones should have said no, but he instead tried to do the best he could, which wasn’t that great when all is summed up. In the film, the beginning stages of the orc invasion of the realm of Azeroth begins, all masterminded by Gul'dan – if this doesn’t mean a lot to you, you probably won’t enjoy the rest of the action-packed film which is not that action packed. 

Lead by a weird assembly of actors, some of which are both very good and poorly cast, which is presented perfectly with the case of Ben Foster, the Warcraft film is lacking clear direction and some final sense of purpose. 

Film Review: Midnight Special (2016)

Copyright: Warner Bros. Pictures

Jeff Nichols is an authentic voice in the American movie industry. His relatively small body of work includes brilliant films like Mud and Take Shelter which offers a colorful (even though rarely cheerful) setting where he is free to explore the thing that really fascinates him: family. In his latest film Midnight Special, the same process is present, but this time, the setting is way beyond anything he created before.

On some levels, the story about a boy who is clandestinely escorted by his father and his friend who believe he possesses a supernatural power plays out as a vintage adventure film. Close Encounter of the Third Kind is a logical choice for a connection, but Midnight Special works on an entirely different tune. While the 1970’s Sci-Fi classic provided a sense of wonder and amazement, the same is practically non-existent here. 

Crowdfunding Push: Dreaded Light

A new feature film is currently in the pre-production phase in the UK and it is looking for funding. However, the Dreaded Light comes with a slightly different way of finding the funds for this project. Led by Mark MacNicol, an industry veteran, here's some additional info about it:

A recently widowed father is struggling to cope with his grief as well as his two teenage daughters. The youngest has developed a fear of daylight – The eldest died when she was a baby.

Crowdfunding Push: The Toymaker

There is a strange and inherent magic in the notion of toys, no matter where they come from, to whom they belong or what price tag they might once carried. A new mixture of a documentary and an animated feature desires to explore the idea of toys and how they made an impact on a man who produces them. 

This film is called the The Toymaker and it's currently in the final stretch of its crowdfunding. Here's how the movie presents itself on its official IndieGoGo page: 

Film Review: The Nice Guys (2016)

Copyright: Warner Bros. Pictures

This film tries to follow in the footsteps of those comedy films which try to extract the hardboiled detective and place it into the weird and wacky world of show business. While they’re funny, they also utilize real violence to create a mix most similar to a black comedy, but not quite there when it comes to satire or cynicism (which these lack).

Every couple of years, one or more movies like that come along and replace the previous reigning king. That is why Get Shorty, Kiss Kiss Bang Bang and other ones like it always tend to stick around for a somewhat prolonged period of time, mostly by being inflated in value mainly by the audience which digs the violence-fame-jokes mix-up.

The Nice Guys is a perfect representative of this trend and like most, it tries to innovate the form at least a little. In this case, there are two hardboiled detectives, here private investigators, who are working on a case of a missing porn actress in LA in the late 1970’s.