Sambala: The Cost of Freedom - The Power and Impact of Nollywood’s Next Generation of Filmmakers

Nollywood, as the Nigerian film industry is today known, is continuing to make waves on a global scale and not just at the level of African cinema. Regionally, it has been a staple of production and quality for years, but now, films including Sambala: The Cost of Freedom are moving it even further. This process is propelled by filmmakers like Nigerian-American Kole Akintujoye, a veteran of the film business. His latest production, Sambala: The Cost of Freedom, created under GUODB Cinematics, shows just how quickly is Nollywood evolving from local but authentic storytelling to a place where it resonates with audiences worldwide. Here’s the plot of the film:

In a remote African village, a young girl is forced into a life of oppression when her parents arrange her marriage to a powerful tyrant. Defying tradition and risking everything, she leads a desperate fight for freedom, uncovering dark secrets and paying a heartbreaking price in her quest to break the chains of tyranny.

The film dives into themes of resilience and liberation, breaking away from expected storylines seen in Nigerian movies. Instead, it explores dark African narratives of the contemporary world and is willing to confront complex social issues. All the while, it is dedicated to using a thoroughly distinctive African perspective.

This film is part of a broader movement in Nollywood, showcasing narratives that speak authentically to universal themes and positioning global Nollywood as a cinematic force. Online content hubs like Netflix Naija, Amazon Prime Africa, and other streaming platforms are increasingly showcasing such works, drawing international attention to Nollywood and reshaping global perceptions of African cinema. That is a process that has been long overdue and people like Akintujoye are pushing it forward by leaps and bounds.

Films like Sambala highlight this new wave of Nigerian movies focused on cultural empowerment and authenticity, blending storytelling with a deeper examination of African perspectives and realities. Through such vibrant narratives, Nollywood is reinforcing its commitment to authentic storytelling and cultural empowerment, capturing the world’s attention and solidifying itself as a major player in the international film industry. Sambala: The Cost of Freedom is not just about cultural empowerment, it is a part of the next chapter of African heritage in film.

VasDahiv Uncharted - YouTube Mystery-Horror Animated Series

It's always fantastic to see innovative art that blends a range of influences. VasDahiv Uncharted is an episodic YouTube animated series that was made in the same manner, with origins that are both diverse and global. That covers the subject matter of the series, but also how its team approached its storytelling. Here's how the series describes itself:

The first issue of VasDahiv: Uncharted introduces Vandad, a young adventurer, and his companions as they explore the mystical desert landscape of VasDahiv. While on a quest to solve an ancient mystery involving a strange box and a broken seal left by Vandad’s father, they encounter strange characters, including a mysterious old man who may not be what he seems. With elements of supernatural danger, tension, and Persian mythology, the series blends adventure, horror, and suspense as Vandad and his friends face unforeseen challenges that test their resolve and uncover secrets that have remained hidden for centuries.

In the first episode, the skill of the team behind VasDahiv Uncharted is immediately clear. The style of the animation is a great blend of cartoon, cell shading, and realistic approaches. From the perspective of the narrative, characters, and the entire storyline, the episode quickly sets up its premise and the central mystery, all the while using familiar elements like a road trip, (seemingly) random encounters, and abandoned, spooky gas stations. All of these immediately catch the attention of the viewer and draw them into the emerging story of VasDahiv.

On the production side, the series is really well-made, featuring great voiceover acting and soundtrack. Also, the level of polish that the animation comes with, especially that of the characters’ faces and facial expressions, is impressive, showing that the team painstakingly made sure everything looks, sounds, and feels excellent. All of this shows that the director Younes Hommasi and the team around him know what they're doing not just now, but for future episodes as well.

If you're into animated series and ancient mysteries that combine numerous elements, check out the official website of VasDahiv Uncharted. But first, watch the entire first episode of the series right here, and be sure to subscribe to its official YouTube channel for future episodes!

Film Review: Longlegs (2024)

 

Several factors related to Longlegs and the way Osgood Perkins directed the film are simply fantastic. These include photography and frame composition, but also the glorious fact that this work again forced (or enticed) Nicholas Cage to show the world his true talent. Unlike a range of B-class films he made in recent years, Longlegs is a true work of art. Maika Monroe, as the lead character of the confused but driven FBI agent Lee Harker also provides a very impressionable psychological study.

Finally, the initial atmosphere and narrative mood hint at the film being inside of the New Weird genre, here Harker gets a hypnotic FBI test that determines whether or not she might be a psychic. All of these fit perfectly into a generic story of a series of horrific crimes where a mysterious being, known only as Longlegs, somehow forces families to murder each other. Here, the plot is reminiscent of things like the Southern Reach trilogy from the writer Jeff VanderMeer or video games like Control. In the first half of the film, Perkins wants to tell the audience that horrible things can and will happen, while forces committing these, just as the forces opposing those, might be unknowable to us.

But, as the film breaks into the second half, all of that synergy is somehow lost. The mystery shifts into occult and satanism but does so in a bland, stuttering manner. The focus of the characters is lost as seemingly all of them suddenly fall into some kind of unclear family drama buried deep in their past. Even Cage appears to be questioning his approach to the role of an intensely deranged person, finally reverting to bizarre impressionism that is again, kind of silly. As the end and the culmination draws near, the events get bloodier, but everything gets unintentionally funnier as well.

The finale itself is more akin to the forest critters from South Park who engage in blood orgies and exclaim “Hail Satan” than a thought-through New Weird horror story. The film does tie all of its loose ends and provides closure to the mystery, but that closure ends up more comical than scary. With that, Perkins managed to make a work of art that feels more similar to a Tales from the Crypt episode than one of the most cerebral horror films of 2024, which Longlegs so very much could have been.

Dark Feathers: Dance of the Geisha - Mysterious Thriller Drama Blending the Exotic and Deadly

 

The concept of the Japanese Geisha has long fascinated the world of cinema. For decades, these enigmatic but alluring figures have been a prominent element of the endless appeal of the Far East. From their distinctive look and unique personal presentation, all the way to the complex psychological portraits behind the makeup and clothes, these ancient performing artists and entertainers never fail to capture our imagination. However, the latest film with the Geisha subjects manages to immerse the audience even deeper in the same cultural phenomenon. That film is Dark Feathers: Dance of the Geisha, and here is how it describes itself:

Geisha ladies of Japanese culture have long been revered for their beauty and entertaining skills of singing, dancing, and conversation. Some are known to possess special abilities that can drive men crazy. Kate (Crystal J. Huang) leads a mysterious life in San Francisco as a photographer and ballroom dancer. But when all her dance partners turn up dead, detective Remy (Gilles Marini) begins to investigate. As he gets closer to the truth, he too succumbs to passion for Kate, which strains his marriage with Amelia (Karina Smirnoff) and leads to his own death. With the body count growing, police pressure to catch Kate builds, revealing her participation in a secret underworld of honor and culture.

Crystal J. Huang, the producer and director of the film, clearly found inspiration in a range of subject matter associated with the phenomenon of the geisha. That is why the film offers a strong sense of atmosphere, combining the elegant and the deadly. In equal measure, the scenes of action and violence complement those of dancing and vice versa. In both cases, the exchange between the forces of life and the forces of death continues unabated. Here, the presence of the veteran actor, Michael Madsen, further enforces the sense of mystery and life-and-death choices.

Visually, Dark Feathers: Dance of the Geisha offers a very immersive experience, where ballroom dancing halls provide a playing field for grace and splendor. At the same time, the film uses other locations with just as much effect, offering an almost dream-like viewing experience. Through stellar cinematography, the film ultimately tells about very different cultures coming together through emotions, passion, and art, just as much as violence and drama.

Tactile, measured, and beautiful, Dark Feathers: Dance of the Geisha is a story that easily captivates with its unique story and characters. If you’d like to learn more about the film, check out its official website as well as its Facebook, X, Instagram, and TikTok profiles. Finally, watch the entire film right now on Amazon Prime US and Amazon Prime Canada and become lost in the beautiful, mysterious, and deadly world of the Geisha.

Review of Le Grand Vide

 

Le Grand Vide, the latest feature film from Jessy Dupont, surprises with its sobriety and minimalist approach. This film, which sits at the crossroads of a road movie and an introspective drama, immerses us in the story of Elliot, a man broken by the weight of his past, who sets off in search of his missing son. This quest, which could easily have slipped into heavy-handed drama, is instead handled with an almost unexpected lightness. Dupont focuses on moments of introspection, where silences and landscapes speak as much as the dialogue.

The strength of Le Grand Vide lies in how the storyline around the search for Elliot's son works so well. Far from stagnating in waiting, the story moves forward smoothly thanks to a well-structured script. Every step of Elliot's journey feels natural and inevitable, with the encounters and obstacles along the way serving to advance the plot without ever slowing the pace. The underlying tension of this quest is skillfully maintained throughout the film, engaging the audience in a narrative progression that is both emotional and dramatic.

Visually, the film manages to capture the raw, authentic beauty of the maritime landscapes. The images, though simple, are marked by an efficiency that serves Elliot and Bourk's story very well. Le Grand Vide could have benefited from greater technical resources, allowing for more elaborate cinematography. However, this visual modesty does not detract from the emotion it conveys; the simplicity of the shots enhances the human dimension of the film. Dupont's direction keeps the focus on the characters without unnecessary distraction. Still, it would have been interesting to see more financial resources at play, especially knowing that this is a small-budget production.

Jean Drolet's performance is full of restraint. He never tries to overplay his character's suffering but lets the pain of a man who has lost all hope subtly show through. Alongside him, Marc Lamontagne in the role of Bourk provides a more eccentric and vibrant counterbalance, bringing a welcome energy.

Despite these undeniable qualities, Le Grand Vide may leave some of the audience behind. The pacing, at times slower, may occasionally feel repetitive. Additionally, some viewers might find the musical score overwhelming or even abrasive, though the quality of the music itself is undeniable. Jessy took a high risk with his bold musical choices, but in my opinion, they are just right.

In summary, Le Grand Vide is a film worth seeing. 3.5 stars out of 5.

Review by Mark Harris

Film Review: Late Night with the Devil (2023)

It’s always great to see a particular film genre go through a big evolution. I’m not a big fan of the found-footage genre, but with Late Night with the Devil, it is clear that the film moved the entire domain of this type of moving-making. The premise involves a double layer of found footage, seen in a special episode of a late-night talk show from the 1970s, where a single guest apparently managed to summon the devil.

The film, directed by Cameron and Colin Cairnes, uses the two-fold approach in a really novel, but narratively very suitable manner. The first layer is the 1970s color (and 4:3 format) show that was broadcast live decades earlier, while the second layer is a regularly framed but black and white behind-the-scenes footage. Both blend perfectly in a modest runtime of an hour and a half.

The last element of this extraordinary film is David Dastmalchian as Jack Delroy, the late-night show host who has fallen to his lowest point in both life and career. Dastmalchian is fantastic in presenting the multi-faceted Delroy, where many elements of personal motivation and drive, motivation, guilt, grief, and regret all mix with the insatiable need to be the number one in his field of business.

It’s a shame that the film generated an aura of controversy due to its incredibly minor and trivial use of AI-generated images for a couple of still shots. Beyond the issue of AI art use, Late Night with the Devil is a fantastic and innovative horror film that does for its genre what few have managed in many previous years.